Last weekend, we went to Pattaya, Chonburi, and had the opportunity to watch "KAAN SHOW," the first live show combined with film in Thailand. It combines top-notch stage shows with world-class techniques, taking you on a journey into a world of imagination inspired by various classic Thai literature. The show creatively adapts and reimagines these stories in an engaging way. Here are some highlights to whet your appetite. Come along!
The KAAN SHOW is held at the Singha Dilax Cinematic Theatre, located on Thepprasit Road. If you are turning from Sukhumvit Road, it will be on your right-hand side. It is easy to find because the theatre building is beautiful and very prominent.
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Singha Dilax Cinematic Theatre is the world's first levitating theater, designed under the concept of "Levitating Theatre". The use of mirrors on the lower part of the building creates the illusion that the upper part is floating, making it a truly unique and innovative structure.
This has led to the emergence of a popular photo pose that everyone must try: the "carrying the building" pose.
The ticket booth is located in the building on the left.
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Shows are available every Tuesday to Sunday (closed on Mondays) with one show per day at 5:00 PM. On Saturdays only, there are two shows at 5:00 PM and 8:30 PM.
Tickets are available in three price categories based on seating zones. Currently, there is a special promotion for Thai citizens: buy two or more tickets and receive a 40% discount on the regular price (for seats in the same zone only, limited to a maximum of 10 tickets). This will bring the price down to 1,500, 1,800, and 2,400 baht per seat. This promotion applies to all seats and all showtimes from today until March 31, 2018.
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After obtaining the ticket, proceed to the interior of the building.
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While waiting for the theater doors to open, there are photo opportunities available, such as the large, nearly 4-meter-tall black horse statue.
Or a plump, round-bellied Pinocchio doll.
A portion of the cast came out to greet the audience.
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Food, snacks, and drinks are available for purchase.
As the performance time approached, the theater doors opened, allowing patrons to find their seats in their designated zones. However, before entering, cameras had to be deposited at the cloakroom located on the side. Only mobile phones were permitted inside.
The seating details are printed on the back of the ticket, including the gate, seating zone, and seat number. Finding your seat is easy, as staff members are available to guide you. While signs outside prohibit photography and videography, an announcement before the show permits still photography. Therefore, still photos with mobile phones are allowed.
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The performance is approximately 90 minutes long and is presented without dialogue. To enhance understanding, a synopsis of the story is provided on a pamphlet distributed with the tickets. The performance consists of eight major scenes.
The first scene opens with "Kan," the protagonist, dropping a hidden key from a book, causing it to shatter and disappear. He is then sucked into another dimension to search for the key fragments, accompanied by his partner, "Kobin Paksa." The scene's opening is immediately captivating due to the seamless integration of projector mapping and the actors' performances.
The next scene is "The Wrath of the Butterfly," the first scene after Kan and Kabil Baksah break through the dimension. The highlight of this scene is the large Nil Mangkorn horse, similar to the one in front of the theater, flying over the heads of the audience.
And fly through the canyon created by computer graphics, as if you were really floating in it.
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The performance features a scene on a boat that combines dance and trapeze acrobatics.
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The scene of the battle against the Sea Butterfly Queen in the raging sea, accompanied by the haunting melody of a broken flute, was a truly captivating moment.
Scene 3, "Pramote Himaphan," features a dazzling dance performance by mythical creatures and Kinnari nymphs from the Himaphan forest.
The highlight of the performance was the graceful descent of the Kinnari dancers, who suspended themselves gracefully in mid-air.
and the fire baton twirling performance of the hunters
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Scene 4: "Asuni Mara Rom Run"
This scene depicts Mekhala being chased by Ramasura in the sky. Kana and Kalabinkasa come to her rescue. The highlight of this scene is the use of plasma-generated electricity, a technique seen in scientific experiments, to create a lightning-filled battle scene.
Scene 5 is "The Wager of Rajana." This scene is magnificent because it is the scene where princes from various cities come to choose their partners.
Each city boasts unique attire and performances, drawing inspiration from regional Thai traditions.
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The highlight is the scene where the forest nymph and the princes of various cities join forces to defeat a giant monster that attacks the city.
Scene 5, "Subduing the Giant Serpent," is a particular favorite of ours. The theater is transformed into an underwater world, complete with tiny bubbles floating throughout the space.
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Everyone was excited and had a lot of fun chasing the bubbles.
A large stingray and pufferfish then emerged, gracefully gliding to greet the audience.
The highlight is the scene where Kraithong descends into the underwater palace of Chalawan, the giant crocodile king, to rescue Kan and Kabilpasa.
The scene showcases the powerful and exhilarating art of Muay Thai. The highlight is the fight between Kraithong and Chalawan, which seamlessly blends CGI techniques with a crocodile head model.
Scene 7, "The Arrogance of Ravana," depicts a high-tech battle between Ravana's army and Rama's forces. Rama's bow, for instance, fires lasers.
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The final scene, "The Brave Hero Within," sees Kan return to the real world. The entire cast then comes out to thank the audience together.
The 90 minutes were well worth it, with suspense and excitement in every scene. The technical aspects and special effects were impressive, including the lighting, sound, complex wirework, and seamless scene mapping with the actors.
After the performance, the actors will stand in the lobby in front of the theater to take photos with the audience.
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The most popular characters were Kan and Kabil Paksakorn, with a long line of fans waiting to take photos with them.
Among them was Taklom, who patiently waited in the long queue to take a picture with her favorite protagonist.
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Before leaving, it is recommended to take a photo in front of the theater again. At night, the top of the building is illuminated with a variety of colors that change beautifully.
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If you have the opportunity to visit Pattaya, the KAAN SHOW is a must-see attraction. Suitable for all ages, this show is perfect for a family outing. The show is guaranteed to be worth your time and money.
More information
Facebook: https://www.facebook.com/KAANShow/
Website: http://kaanshow.com
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